Download E-books György Ligeti: Beyond Avant-garde and Postmodernism. Translated by Ernest Bernhardt-Kabisch PDF
This monograph is an authoritative learn of the œuvre of 1 of an important composers of our time. For the 1st time, Ligeti’s key works are provided within the context in their drafts and sketches. His own and creative improvement is decided forth and illuminated, and his vital compositions are analyzed and reinterpreted, in keeping with exact reports of the ratings and drafts, in addition to on own conversations with the composer. furthermore, quite a few questions pertaining to today’s composing are raised and mentioned. track doesn't must be puristic: Ligeti’s spheres of curiosity are with reference to common, embracing historical past, ordinary technology, and visible arts, in addition to tune of various eras and ethnicities. This elevated international of the musical includes not only tones and sounds, speech and tune, the vocal and the instrumental: Ligeti conceives song as a cosmos of acoustic shape.
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Additional info for György Ligeti: Beyond Avant-garde and Postmodernism. Translated by Ernest Bernhardt-Kabisch
Therefore the recitation of the strongly alliterative strains “und möge droben in Licht und Luft zerrinnen mir Lieb und Leid! ” (and may well up there dissolve in mild and air either love and soreness) is to be “dancelike effusive. ” The refrain closes, to make sure, morendo in a low bass sector. advanced and dense constitution, wealthy tonal mind's eye and refined textual interpretation past all doubt make those 3 Hölderlin settings rank excessive inside of Ligeti’s total vocal oeuvre. 154 155 2. 15 building and mind's eye: rules of the Piano Etudes “My perfect of piano song – and doubtless the precise of all pianists – is embodied in Chopin, Schumann, Liszt, but additionally in a lot of the sooner piano song, e. g. Scarlatti. The distinguishing mark of this real piano tune is that the musical buildings appear to emerge instantly from the keys and the location of the 10 palms, that's to assert, usually are not built abstractly yet are derived relatively sensuously from miserable the keys. ” “In truth, piano track is my major region. For the piano etudes, the sound worlds of Debussy and Ravel performed an enormous position […] even if my piano etudes are usually not in any respect Chopinesque or Lisztean, and never Debussy-like both. ”245 “In the piano etudes, too, there are issues which are in line with the ecu culture, particularly that of the nineteenth century; to be certain, my nice love for the piano tune of Schumann and Chopin and the concept that of the hemiola – not just three x 2 and a pair of x three yet varied different uneven hemiolic formations – with the so-called Bulgarian rhythms, which Bartók has utilized in the Mikrokosmos, the Southeast ecu people song regularly, and my wisdom of salsa from the Caribbean and samba from Brazil enjoying a job to boot. but you will discover within the piano etudes neither folkloristic fabric nor particularly Chopin-Schumann-Brahmsian nineteenth century. the full sphere of Schumann-Chopin, plus ethnic cultures like folklore from Latin the United States, surely African ethnic song and Nancarrow – all that has by some means been amalgamated and shaped into anything completely assorted. ”246 In looking to account for the big approval for Ligeti’s piano etudes, written among 1985 and 1994, one has to think about that, along with their originality and expressivity, they replicate, might be extra sincerely than his different works, the culture of the style. What precisely is their place within the heritage of the piano etude? If we hint the evolution of the style within the nineteenth and twentieth century, we're faced generally with varied conceptions. The piano etudes of Frédéric Chopin, Franz Liszt and Robert Schumann are conspicuous for his or her concertante type and their not easy musical content material. they don't simply serve the 156 perfecting of pianistic ability yet have musical worth according to se. against this, a few twentieth century composers have been bent on facing either pianistic and compositional difficulties. In different phrases, they looked the etude as an “exercise” for themselves, during which they sought to establish a undeniable compositional challenge and to unravel it competently.