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This publication bargains new insights into the wealthy and sundry Dutch literature of the center a while. 16 essays written via best students examine this literature within the context of the social, ancient and cultural advancements of the interval within which it took form. the gathering contains reviews of the main consultant authors, genres and works of the time.
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Extra info for Medieval Dutch Literature in its European Context (Cambridge Studies in Medieval Literature, Volume 21)
Even if Willem van Hildegaersberch is understood to have aimed mostly on the court docket within the Hague, for example, it's also recognized that as an itinerant sprookspreker (reciter of brief poems) he was once welcomed via city professionals and personal contributors, and infrequently even via the clergy. 19 it is a necessary reminder that we should always now not regard courtroom literature, and the literature of the Holland-Bavarian courtroom particularly, as being too constrained and too specific. this can be even clearer relating to Dire van Delft. initially his paintings used to be eagerly got within the noble circles for which it was once essentially written, and it was once illuminated hence, yet after some time it had a wider reception, specifically in convents. it appears, whereas in monasteries the Latin assets have been studied, this vernacular exposition of the scholastic international view used to be greatly in position the following too. and at last, round 1480, the Tafel was once even published, albeit in a sort which used to be very diverse from that during which the textual content had initially seemed. It was once strongly abridged, and all types of asides which have been so practical for the sooner courtroom viewers have been got rid of. The commitment within the prologue was once omitted in addition, which intended that the names of either the writer and the shopper vanished too. this is why in the beginning sight the textual content seems like the umpteenth instance of the nameless devotional works that have been churned out whilst printing had simply been invented. in simple terms while it really is tested with a certain quantity of history wisdom does it turn into transparent that it is a bridge, albeit a rickety one, among assorted medieval worlds that are frequently thought of to be thoroughly separate: these of the printing press and the courtroom. during this detailed case, the lively patronage of the Holland-Bavarian counts was once not only the pivot of a literature for the courtly internal circle, but additionally contributed to the literary tradition of a examining public far from this centre. TRANSLATED by means of ARNOLD J. KREPS AND FRANK VAN MEURS 44 FRITS VAN OOSTROM NOTES 1 Cf. M. D. Stanger, 'Literary Patronage on the Medieval courtroom of Flanders', French stories eleven (1957), 214-29; yet see additionally the guides pointed out in n. three. 2 Cf. W. P. Gerritsen: 'Vertalingen van Oudfranse literaire teksten in het Middelnederlands', in R. E. V. Stuip, ed. , Franse literatuur van de Middeleeuwen (Muiderberg: Coutinho, 1988), pp. 184-207; F. P. van Oostrom, Reinaert primair. Over het oorspronkelijke publiek en de geintendeerde functie van Van den vos Reinaerde (Utrecht: HES, 1983). this isn't to assert that the variations can't be massive; see, for example, R. Zemel, Op zoek naar Galiene. Over de Oudfranse Fergus en de Middelnederlandse Ferguut (Amsterdam: Schiphouwer and Brinkman, 1991), and A. Th. Bouwman, Reinaert en Renart. Het dierenepos Van den vos Reynaerde vergeleken met de Oudfranse Roman de Renart (Amsterdam: Prometheus, 1991). three Cf. A. Th. Bouwman, 'Na den Walschen boucken. Neerlandistiek en romanistiek', in F. P. van Oostrom et al. , eds. , Misselike tonghe.