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Additional resources for Tape Op, Issue 85 (September/November 2011)
Gesture]. i assumed, “Wow, that’s strong! ” [laughter] You have been amassing tape decks whereas in collage. What was once the urge to get It used to be unintended manipulation. Did you discover next ones that had different units which may trap and anomalies? control audio? definite, plenty of attention-grabbing anomalies. for example, I used one as a tape echo gadget. There should have been whatever flawed concerning the manner the unfairness was once set since it may instantly take all of it to excessive frequencies. back, you notice, this used to be sooner than… There weren’t alternative ways of doing these issues. There weren’t processing instruments. This used to be in 1967 or ’68. no longer many stuff like that existed. Plate reverbs and such? I wasn’t a part of the pop global the place there could have been such things as that. I hadn’t joined a band but… on the time, did you know of [Karlheinz] Stockhausen and tape manipulation and such things as that? definite. That used to be the realm i used to be coming from, so I knew approximately that. in fact i used to be having fun with pop tune, yet I didn’t fairly be aware of something concerning the know-how of it at the moment. yet I did learn about experimental song. in reality, my professor used to be Tom Phillips, who used to be a painter yet had very shut connections with the experimental track international. via him I obtained to satisfy Morton Feldman and Christian Wolff. I in this case met and labored with Cornelius Cardew, who’s an important composer right here in England. He began this factor referred to as Scratch Orchestra, which used to be an experimental commune of commonly paintings scholars who begun doing relatively attention-grabbing issues musically. They have been very, very a ways sooner than their time, in a few respects. The English university of experimental composers – which integrated Cardew, Michael Nyman, Gavin Bryars and Christopher Hobbs – have been antielectronic. So the digital humans have been the Europeans; Stockhausen and his IRCAM [Institut de Recherche et Coordination Acoustique/Musique] have been simply commencing to shape then. there have been really 3 camps. there have been the Europeans, who have been consciously wearing at the culture of classical tune. They observed their course as serialism – [Arnold] Schoenberg, [Alban] Berg and [Benjamin] Britten. They observed logical steps into what they have been doing. Then there have been the american citizens. there has been [John] Cage, after all, on the best it. [Morton] Feldman, Steve Reich [Tape Op 15], Philip Glass and Terry Riley; they stepped out of that culture thoroughly. They didn’t see themselves because the logical subsequent step within the eu classical culture. They have been quite whatever various and regarded even more fascinating to me. yet then there has been the English tuition besides, which was once diversified from both of these within the feel that it was once very conceptual, very do-it-yourself and not anything to do with electronics. Electronics have been a bit a “cheap trick. ” [laughter] I felt rather at domestic among what used to be occurring in the United States with the “California Minimalists,” as they have been then referred to as, and what was once occurring in England. My thought grew to become to consolidate these issues. steadily, i began figuring out lot of the issues i used to be drawn to approximately pop song, because it used to be known as, corresponding to The Velvet Underground, weren’t really irreconcilable with that.