Download E-books The Jazz Book: From Ragtime to the 21st Century PDF

By Joachim-Ernst Berendt

For fifty years The Jazz publication has been the main encyclopedic interpretive historical past of jazz on hand in a single volume.
 
In this new 7th variation, each one bankruptcy has been thoroughly revised and multiplied to include the dominant kinds and musicians because the book’s final e-book in 1992, in addition to the culmination of present examine approximately prior sessions within the historical past of jazz. furthermore, new chapters were additional on John Zorn, jazz within the Nineteen Nineties and past, samplers, the tuba, the harmonica, non-Western tools, postmodernist and repertory enormous bands, how the avant-garde has explored culture, and plenty of different subjects.
 
With a frequent resurgence of curiosity in jazz, The Jazz ebook will proceed good into the twenty first century to fill the necessity for info approximately an paintings shape broadly considered as America’s maximum contribution to the world’s musical culture.

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Four flip of the Century: New Orleans . . . . . . . . . . . . . . . . . . . . 6 the teenagers: Dixieland . . . . . . . . . . . . . . . . . . . . . . . . . . . . nine The Twenties: Chicago . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 The Thirties: Swing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 the 40s: Bebop .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 The Fifties: Cool Jazz, not easy Bop . . . . . . . . . . . . . . . . . . . . . 17 The Sixties: loose Jazz . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 The Seventies .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 The Eighties .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . forty two The Nineties .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . fifty five Outlook: Jazz within the Age of Migration . . . . . . . . . . . . . . . . seventy two The Musicians of Jazz . . . . . . . . . . . . . . . . . . . . . . . seventy seven Louis Armstrong . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . seventy eight Bessie Smith . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87 Bix Beiderbecke . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89 Jazz Book_FINAL inside. indd five 5/15/09 3:14:51 PM Duke Ellington . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ninety four Coleman Hawkins and Lester younger . . . . . . . . . . . . . . . . . one hundred and one Charlie Parker and Dizzy Gillespie .. . . . . . . . . . . . . . . . . . 109 Miles Davis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . one hundred twenty John Coltrane and Ornette Coleman . . . . . . . . . . . . . . . . . 136 John McLaughlin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153 David Murray and Wynton Marsalis .. . . . . . . . . . . . . . . . . 162 John Zorn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . a hundred and eighty the weather of Jazz . . . . . . . . . . . . . . . . . . . . . . . 193 Sound and phraseology .. . . . . . . . . . . . . . . . . . . . . . . . . . . 193 Improvisation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196 The association . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202 The Blues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206 non secular and Gospel tune . . . . . . . . . . . . . . . . . . . . . . . . 216 concord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221 Melody . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226 Rhythm, Swing, Groove .. . . . . . . . . . . . . . . . . . . . . . . . . 232 The tools of Jazz . . . . . . . . . . . . . . . . . . . . 245 The Trumpet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245 The Trombone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267 The Clarinet .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279 The Saxophones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293 The Soprano Saxophone . . . . . . . . . . . . . . . . . . . . . . . 294 The Alto Saxophone . . . . . . . . . . . . . . . . . . . . . . . . . . 302 The Tenor Saxophone . . . . . . . . . . . . . . . . . . . . . . . . . 315 The Baritone Saxophone . . . . . . . . . . . . . . . . . . . . . . . 339 Saxophone teams .. . . . . . . . . . . . . . . . . . . . . . . . . . 345 The Flute .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 349 The Vibraphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 358 The Piano . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 363 Organ, Keyboards, Synthesizer, Electronics .. . . . . . . . . . . . 397 Hammond Organ . . . . . . . . . . . . . . . . . . . . . . . . . . . . 398 Keyboards and Synthesizer . . . . . . . . . . . . . . . . . . . . . 404 Samplers and Electronics .. . . . . . . . . . . . . . . . . . . . . . 410 Jazz Book_FINAL inside. indd 6 5/15/09 3:14:52 PM The Guitar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 416 The Bass . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 441 The Drums .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 467 The Percussion tools (Cuban, Salsa, Brazilian, African, Indian, Balinese) . . . . . . . . . . . . . . . . . . . . . . . . 501 The Violin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 519 Miscellaneous tools . . . . . . . . . . . . . . . . . . . . . . .

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